Tag Archives: storyboard
The Storyboard Renaissance: A Graphic Novel Approach to Storyboarding, by Kristen C. Strocchia
Are you ready to take your manuscript to the next level? Would advice from the professionals be helpful to your process? Or maybe you’re ready to submit but worried that you’ve missed something. Even if you haven’t started storyboarding yet, … Continue reading
The Storyboard Renaissance: Whole Manuscript Showcase—Preparing Your Storyboard, Part 4, by Kristen C. Strocchia
Hopefully, storyboarding along with this blog series has led to some helpful revising. I know it has for me. However, in the process, my original one-sticky-note-per-plot-beat has multiplied with extended information and/or notes to myself. And the setting backdrop picture … Continue reading
The Storyboard Renaissance: Whole Manuscript Showcase—Preparing Your Storyboard, Part 3, by Kristen C. Strocchia
No storyboard would be complete without attention to when and where the story takes place. Setting is often the silent culprit behind inconsistencies, flawed logic, and even character development troubles. It can heighten emotion or cause it to fall flat. … Continue reading
The Storyboard Renaissance: Whole Manuscript Showcase—Preparing Your Storyboard, Part 2, by Kristen C. Strocchia
Whether you’re a plotter in the planning stages, a pantser in the revision stages, or any kind of writer at any stage of story development, Storyboarding could help fine tune the heart of your manuscript—character. If you’re new to this … Continue reading
The Storyboard Renaissance: Whole Manuscript Showcase—Preparing Your Storyboard, Part 1, by Kristen C. Strocchia
Whether you’re considering joining us at the Marriott Courtyard in Montage in September for our Storyboard Renaissance event, or just needing a new perspective on your manuscript, use this summer to start Storyboarding. A Storyboard is simply a visual representation … Continue reading
The Storyboard Renaissance: Whole Manuscript Showcase, by Kristen C. Strocchia
We’ve probably all walked away from a critique thinking, “If (agent/editor) could just see the whole story, then . . .” maybe they would fall in love or, at least, maybe they could better advise the opening or diagnose why … Continue reading